Memorias del Abismo III

Memorias del Abismo III, belongs to a series of pieces grouped under the title Memorias del Abismo -Memories of the Abyss- (I for trio: vl, cello and piano; II / IIb and V for solo piano; III for solo cello and IV for solo violin) worked on base to the idea of ​​a abysmal landscape. Of its sound. From a sound that enters through stunned ears, and comes out produced by a broken voice. By a helpless body, immobile, contained, alien. For a shattered, empty soul.

A sound that therefore manifests itself filtered, contained, transformed. A sound that sometimes barely insinuates itself, is heard, and at other times it manifests violently like a visceral scream. From the temporal point of view, we see the contrast of two temporal ideas: a smooth, slow tempo, which provokes the idea of ​​a non-pulsed tempo; and a dense, overloaded and complex tempo.

The series of pieces works on the idea of ​​broken, filtered sound ... but also on the idea of ​​silence. An abysmal landscape based on loneliness, the despair produced by emptiness, and the daze of density.