V Prostranem Morju Sanj

A laconic miniature—just some three minutes long—but which through its circular nature is an attempt to obscure perception of the passage of time. The piece should be taken as an expression of gentleness; a soft-spoken, echoed, and fragmented melody, rises and falls on the surface of the gentle, noisy rumbles of the piano’s low register, and that is all. Most importantly, this piece is a modest—but sincere—homage to Slovene composer, Jakob Jež, to his remarkable catalogue of works, and to his indefatigable wit and sombre joie de vivre.