Eduardo Loría

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Eduardo Loría (Mexico, 1992)
From Toluca City, Mexico.

His creative interests include timbre research, the use of visual art concepts in his composition such as sound sculpture and perspective, working with micro-sounds and the effects of sound in perception. His pieces and installations have been exhibited in Mexico, Austria and Germany by Ensembles such as Ensemble Musikfabrik, Ensemble Inverspace, CEPROMUSIC Ensemble and Liminar Ensemble; in venues such as ZKM Karlsruhe, Kunst-Station Sankt Peter Köln, MUAC Mexico City, Impulse Festival Graz, among others. He studied Instrumental composition (M.M.) with Prof. Miroslav Srnka in the HfMT Cologne. He is currently enrolled in the master's program in Electronic Composition at the HfMT Cologne with Prof. Michael Beil. 

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Ordered by year. Most recent works appears first

Ensemble (Instruments or Voices) and Real Time Electronics


¿De qué color es el trébol en las montañas? for amplified ensemble and live electronics (2022)

Soloist (Instrument or Voice) and Fixed Electronic Media


El hilo de Ariadna For amplified viola, live/fixed video and fixed electronics. (2021)

Chamber Ensemble (5 - 9 instruments)


Tres colores For amplified ensemble (Trumpet, Percussion, prepared Piano, Violin and Violoncello) (2021)
Umbrales II for Bb Clarinet (Bass Clarinet), English Horn, Horn, Percussion, Viola and Double Bass (2018)

Chamber Group ( 2 - 4 instruments )


Cuatro for prepared Piano, Violin and Violoncello (2020)

Ensemble (Instruments or Voices) and Fixed Electronic Media


Punto y Línea for amplified Tuba, amplified Piano, amplified Contrabass and fixed Electronics (2019)

Soloist (Instrument or Voice) and Real Time Electronics


Transiciones for Electric Guitar and pedals (2017)
Cuatro for prepared Piano, Violin and Violoncello (2020)
El hilo de Ariadna For amplified viola, live/fixed video and fixed electronics. (2021)
Punto y Línea for amplified Tuba, amplified Piano, amplified Contrabass and fixed Electronics (2019)
Transiciones for Electric Guitar and pedals (2017)
Tres colores For amplified ensemble (Trumpet, Percussion, prepared Piano, Violin and Violoncello) (2021)
Umbrales II for Bb Clarinet (Bass Clarinet), English Horn, Horn, Percussion, Viola and Double Bass (2018)
¿De qué color es el trébol en las montañas? for amplified ensemble and live electronics (2022)