Kevin Kay

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Kevin Kay (b. 1995) is inspired by the ways in which our universe manifests sound, and through his art, he explores how sound behaves physically in our world. His work is often processual, focusing on how material evolves through time. He aims to immerse listeners in contained soundworlds using harmonic languages that are organized not necessarily by pitch, but more-so by frequency, utilizing the mathematical properties of sound. Due to his fascination with sound’s physical and psychoacoustic qualities, Kevin hopes that audiences are able to perceive the physicality of sound itself, translated through artistic means.

Festivals that have performed Kevin’s music include: the International Workshop for Young Composers (through the International Divertimento Ensemble Academy), IRCAM’s ManiFeste Academy (with soloists from Ensemble Intercontemporain), Les Ecoles d’Art Américaines de Fontainebleau, New Music on the Point, the Yarn/Wire Institute, the NYC Electroacoustic Music Festival (NYCEMF), the Electroacoustic Barn Dance (EABD), the National Student Electronic Music Event (NSEME), the Valencia International Performance Academy and Festival (VIPA), and the Charlotte New Music Festival. Furthermore, Kevin has been named the winner of the Cortona Prize 2020. Kevin’s music has been performed by Divertimento Ensemble, Spektral Quartet, Imani Winds, PinkNoise Ensemble, Ghost Ensemble, The City of Tomorrow, MotoContrario Ensemble, and the Brouwer Trio, among others. As a clarinetist, he performs his own pieces for clarinet and electronics.

Kevin is currently a PhD student at Stony Brook University. He holds an M.A. from the University of Chicago and a B.S. in physics and music from the College of William and Mary.

Website:
Ordered by year. Most recent works appears first

Chamber Ensemble (5 - 9 instruments)


Below our ears for septet (2020)
Duality ii for ensemble and electronics (2019)
Quiver for wind quintet (2018)

Chamber Group ( 2 - 4 instruments )


Dx/dt for 4 violins or 4 violas or 4 cellos or 4 double basses (2020)
Damped for violin and cello (2019)
Reaching for string quartet and electronics (2018)

Solo Instrument


Thoughts on imperceptibility for solo cello (2020)
EnSNARE for snare drum and electronics (2018)

Pierrot Ensemble (fl, cl, vln, vlc, piano)


Duality ii for ensemble and electronics (2019)

Concert Band


Thixotropic for wind ensemble (2019)

String Quartet


Reaching for string quartet and electronics (2018)

Woodwind Quintet


Quiver for wind quintet (2018)
Below our ears for septet (2020)
Damped for violin and cello (2019)
Duality ii for ensemble and electronics (2019)
Dx/dt for 4 violins or 4 violas or 4 cellos or 4 double basses (2020)
EnSNARE for snare drum and electronics (2018)
Quiver for wind quintet (2018)
Reaching for string quartet and electronics (2018)
Thixotropic for wind ensemble (2019)
Thoughts on imperceptibility for solo cello (2020)