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During a long wait in Dublin airport, I thought about the Enlightenment debate about the origin of music as a rational imitation of nature. Absorbed in so “natural” and “artificial” noise, I considered the possibility of a renewed imitatio as a source of musical construction, that is, a way designed from four multiphonic sounds, meaningful of a “natural” sonority of “artificial” development, like that historical product called “musical instrument”. Supported by the idea of Lence-Edra's “artificial grammar”, I willed to undertook a timbrical and a harmonic image through different treatments of the instrumental set.
"Dublin lounge" was finalist of Ninth Edition of the International Composition Competition "Città di Udine" in 2012.
(Video realized by Javier María López).
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