from nothing, to something, through everything.

from nothing to something, through everything is a reflection on growth. This growth is carried out on two levels: pitch and rhythm. The work begins with air sounds on the flute and bowing of the violin wood. These sounds move between noise and tone in a limited range; initially, the pitch change is in a microtonal sound world; based on a system of resonances. As the work grows, its rhythmic complexity and tempo also increase. Temporal growth is accompanied by an expanding range of instruments ---finally, the entire range of each instrument employed is before it disintegrates and returns to nothing.