Inverso Sangue (III): Cinábrio

All the "matter" derives fom variations from general principles such as "extreme beginning and extreme end", "central elements", among other. These principles are applied to: different subdivisions; same principles, different results (both in same or different subdivisions); associations of general principles to time and pitch (in different degrees of perceptions). Timbre and dynamics conceived to emphasize previous structures.

The "matter" is conjugated in a way that different layers are created and conjugated into blocks of "energy flows" that are gathered and dispersed within different degrees of perceivable "flows", either focused on tempo, timbre, pitch, textures or other typologies that should focus the attention of the listener.

Inverso Sangue: Cinábrio (Inverse Blood: Cinnabar), for violin, viola and cello, can be simultaneously performed with Sangue Inverso: Obsidiana, for flute, clarinet and piano, or be played as an individual movement of Sangue Inverso - Inverso Sangue.

Cinnabar refer to the historic source for the brilliant red or scarlet pigment termed vermilion and associated red mercury pigments. The timbres and colours interact with the energy flows of (black, inverse blood) Obsidian, maintaining an individual energy of contrasts, strength and shapes.