Nuga
9,27 €
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Specifications
Region
Europe
Estimated Duration
16 - 20min
Date
1988
ISMN : 979-0-2325-0803-0
In Stock
Notes on this piece
Nuga belongs to a group of a few compositions, written end 70s and along 80s, involving one or more “soloists” (Dialogues, for flute, oboe and strings / Musica concertante for viola and 13 instruments…). But it seems an illusory soloist, whose role is continually threatened by the strings (intrusive or emergent…). Soloist and strings try a fusion; utopian! The piano remains the Piano, with its heavy great and unique centuries’ tradition and amazing repertoire.
The piano begins with a kind of music box while hissing strings allure… but progressively the “Prince” pretends its energies without compromise with emergent strings.
In the last sixteen bars a caressing atmosphere brings together piano and strings on the “G” note; the initial of my daughter Giulia, born while “Nuga” was going to be finished.
Nuga belongs to a group of a few compositions, written end 70s and along 80s, involving one or more “soloists” (Dialogues, for flute, oboe and strings / Musica concertante for viola and 13 instruments…). But it seems an illusory soloist, whose role is continually threatened by the strings (intrusive or emergent…). Soloist and strings try a fusion; utopian! The piano remains the Piano, with its heavy great and unique centuries’ tradition and amazing repertoire.
The piano begins with a kind of music box while hissing strings allure… but progressively the “Prince” pretends its energies without compromise with emergent strings.
In the last sixteen bars a caressing atmosphere brings together piano and strings on the “G” note; the initial of my daughter Giulia, born while “Nuga” was going to be finished.
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The piano begins with a kind of music box while hissing strings allure… but progressively the “Prince” pretends its energies without compromise with emergent strings.
In the last sixteen bars a caressing atmosphere brings together piano and strings on the “G” note; the initial of my daughter Giulia, born while “Nuga” was going to be finished.
Nuga belongs to a group of a few compositions, written end 70s and along 80s, involving one or more “soloists” (Dialogues, for flute, oboe and strings / Musica concertante for viola and 13 instruments…). But it seems an illusory soloist, whose role is continually threatened by the strings (intrusive or emergent…). Soloist and strings try a fusion; utopian! The piano remains the Piano, with its heavy great and unique centuries’ tradition and amazing repertoire.
The piano begins with a kind of music box while hissing strings allure… but progressively the “Prince” pretends its energies without compromise with emergent strings.
In the last sixteen bars a caressing atmosphere brings together piano and strings on the “G” note; the initial of my daughter Giulia, born while “Nuga” was going to be finished.
Instrumentation
Violin (3)
Viola (2)
Cello
double bass
Viola (2)
Cello
double bass
Recording
div
Marinella Tarenghi
Ensemble Europeo “Antidogma Musica”
Marinella Tarenghi - piano
Andrea Molino - conductor
Andrea Molino - conductor
Score Details
Format - A4 / US Letter
Pages - 31
Pages - 31