Salaca

Salaca was initially conceived as a piece for oboe solo, then I have decided to work in a wood quintet where sketch would use this piece, using the same materials that appear on this piece now be addressed from the perspective of a quintet. the multiplication of textures, the transformation of the monodic lines into polyphonic lines and the possibility of a simultaneity of events available in contrast to a piece for solo instrument, were some of the elements that emerged following the reinterpretation of a piece with a different sound generator of the originally conceived.