Mise-en-scène I

Another example in my new composition direction is the piece I wrote for the JACK Quartet and was premiered in November 2018. In this piece, I designed a new notation system based on the morphology theory of music, where all the musical elements are decomposed. I also designed a new rhythm staff where there could be simultaneous irrational tempos instead of confusing partial tuplets. Both morphologist approach and the rhythmic design give the composer an extreme amount of precision and new horizons. I believe it could be a new notation language where composers have access to more details, and have the facility to use new musical dimensions. I can compare the concurrency of irrational tempos with the idea of cubism in music.