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Three Miniatures explore non-verbal communication and subliminal transfers among the performers.
The Musicians are placed in an extra-ordinary manner – around the audience, in the four corners of the venue creating three-dimensional sound-space (instead of standard sound-picture).
Distance, impeded visual contact and music itself implies a need for specific internal communication across the Ensemble.
Movements of Three miniatures should be performed on one concert separately: Prelude, in the beginning, Interlude – in the middle, Postlude – at the end of the event.
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