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soliloquios del viento

for sextet and electronics (small chamber version)

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Specifications
Region
Europe
Estimated Duration
11 - 15min
Date
2017

ISMN : 979-0-2325-7049-5

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Notes on this piece

soliloquios del viento was commissioned by Royaumont Académie Voix Nouvelles, written in August of 2016 and premiered by the Talea Ensemble & EXAUDI on September 9, 2016, conducted by James Baker. This fourteen-minute work is a meditation on eight poems of Pablo Neruda, reflecting love, distance, and despair. Six singers are set against eight instrumentalists whose fragile and often voiceless sonorities gently color and obscure the murmuring of the text and pointillistic vocal material. The Spanish text is predominantly unintelligible, with the content of Neruda's words instead conjured by the composite texture. He writes of two lovers, their romance characterized by abrasion – a rendezvous between two scorched, ascetic souls, who consume and destroy one another, entangled yet divided by both sublime transfiguration and inexorable chaos. The revised versions for sextet/septet and electronics was completed in May 2017 for Ensemble Interface’s premiere at the 2017 VIPA Festival in Spain and the Hong Kong New Music Ensemble’s premiere at the 2019 TICF Academy and Festival in Thailand, respectively, redistributing vocal parts to the electronics and ensemble, alongside instrumental samples and other sources.

     Neruda’s texts evoke not only the conflict between darkness and light in both persons, but through this lens, the experience of being confronted with the subjectivity of another’s consciousness. That otherness is manifest in lurid, destructive passions, revealing mutual incoherence, frailty, and sophism beyond endurance. Each poem seems to present discrete, parallel scenarios, some in which each person is awoken by their confrontation rather than destroyed – in others suffering to the point of intolerable anguish and desolation. Eroticism and sunderance run throughout Neruda’s powerful imagery, his lover depicted as an enemy with whom he pleads for voice – who has disgraced their love. For the poet, love is the sole means with which two people may “weather” one another. A source of both euphoria and utter devastation, there is a vastness that is evoked in his texts, an attempt to span immeasurable time and distance. Each braves the other, an intimacy and corrosive embrace that both breaks and absolves each person.

Instrumentation
Bass clarinet
Percussions
Piano
Violin
Cello
Electronics
Bass flute
Recording
Premiered by Ensemble Interface 2017
Score Details
Format - A3 / Tabloid
Pages - 30


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