Le Rythme des Autres

A fairly autobiographical title, if ever. Even psychological ? The musical rhythm, of course, but also the rhythms of Others, of other's life... Exploring the contrasts, the dialectics between melody and accompaniement, at a time when, more or less, all move away from it (credo of a fidelity to pitch organization ?). Different musical groups are attracting to each other, face, confront, then exclude from each other. A clarification process. I. "Attraction" : a common texture in which differents materials are attracted to each other, before acquiring their own autonomy. II. "Confrontation" : the groups break, split into a series of duets, punctuated by solo percussions. Exotism ? No. Just need of a shocking contrast. Presence of an Other, and attempt of inclusion.  III. "Exclusion" : coming back to the situation to which led the first movement : opposition (or dialectics ?) between melody and accompaniement. But sequels of the former confrontation. Then, an inextinguishable melody, an ineluctable slowing down, an inexpressible melancholy. Comprehending and including the Rhythm of Others, here is the harm of this century. Bar 400 : impossibility, therefore rupture.