Reality Check

Microphone test recordings that have been recorded in a public space immediately before a TV-live-broadcast serve as a basis for the present composition. The acoustically perceivable preparations and expectations unload during the piece in the electronic exaggerations of the instruments. The violin and the zither sound is being multiplied by the help of the sampled sounds until they become a musical “mass”, that integrates the open-air-field-recordings into an artificial electronic performance.
 

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