Przemysław Scheller

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As a contemporary composer interested in instrumental, vocal as well as electro-acoustic music, Przemysław Scheller is exploring the nature of sound, developing various dimensions of time and space, searching for the bond between past and present.

In this journey he is greatly inspired by Gregorian chants, early polyphony as well as spectralism.

In 2018 he obtained Ph. D. in arts promoted by Jarosław Mamczarski. He graduated from the Karol Szymanowski Academy of Music in Katowice in the composition classes of Aleksander Lasoń and Conservatoire National Supérieur de Musique et Danse de Lyon in the class of Philippe Hurel and Michele Tadini receiving a master in arts diploma with honours. He works as an assistant professor focused in electro-acoustic composition subjects in University of Silesia and in the Academy of Music in Katowice.

He won numerous prizes on international and national composition competitions as well as scholarships of Ensemble musikFabrik, Tempo Reale and Young Poland Programme. Among others Przemysław Scheller wrote for New Music Orchestra, Katowice City’s Singers Ensemble Camerata Silesia, Polish Radio Choir and AUKSO Chamber Orchestra. He received several times award from Ministry of Culture and National Heritage for exceptional artistic achievements.

His main area of interest is electroacoustic and chamber music where he explores different artistic ideas – usage of non-trivial instrumentation, topophony or interactive music

Website:
Ordered by year. Most recent works appears first

String Quartet


Three Miniatures for quadrophonic string quartet (2019)

Concerto


A Road Marked With Dead Grain for clarinet and string orchestra (2019)

String Orchestra


The Little Match Girl for string orchestra (2019)

Soloist (Instrument or Voice) and Fixed Electronic Media


Geometry of the Paradox for alto flute & fixed media (2019)

Chamber Group ( 2 - 4 instruments )


Three Miniatures for quadrophonic string quartet (2019)
Sonata for flute & harp (2018)

Soloist (Instrument or Voice) and Real Time Electronics


Winter for accordion & live-electronics (2016)

Choral Ensemble


Ocean of Forms for two choirs & harp (2016)

Chamber Ensemble (5 - 9 instruments)


Gravity Warp for 9 musicians (2014)

Solo Instrument


Song of the Brightness of Water for flute solo (2012)
A Road Marked With Dead Grain for clarinet and string orchestra (2019)
Geometry of the Paradox for alto flute & fixed media (2019)
Gravity Warp for 9 musicians (2014)
Ocean of Forms for two choirs & harp (2016)
Sonata for flute & harp (2018)
Song of the Brightness of Water for flute solo (2012)
The Little Match Girl for string orchestra (2019)
Three Miniatures for quadrophonic string quartet (2019)
Winter for accordion & live-electronics (2016)