Maja Bosnic

Play all audio recordings

Maja Bosnić is a composer and performer from Belgrade, Serbia. In her music, she re-questions and examines accustomed phenomena in the process of music making, exposes them to concepts of every day life (habits of the society, modern trends, pop culture, science, etc.) then resets them in compositions that sometimes even include audience action in the performance. She is interested in creative power of non-musicians and music amateurs and likes leading workshops that engage community into gathered sound making experience. She is drawn to impossible missions, absurd solutions, limited material, playfulness, uncertain outcomes, treating instruments as ready-made objects of expression and treating real life objects as music instruments (see List of Works).

Maja has a PhD in Music Composition and MA in Music Pedagogy. Her first composition lessons took place at the Irish Composition Summer School in Limerick and the Festival of Young Artists in Bayreuth in 2003. From 2004 to 2007 she studied composition with prof. Milan Mihajlović at Academy of Arts in Novi Sad(Serbia) and continued with prof. Roger Redgate at the Goldsmiths University of London(UK). She completed master studies in Composition in 2008, and proceeded with postgraduate studies earning a PhD diploma in Music Composition in 2015 from the Goldsmiths University of London (UK). Bosnić’s research PhD thesis in Music Composition “Re-question, reset.” and portfolio of compositions were evaluated by composers Peter Wiegold (Brunel University, London) and James Saunders (Bath Spa University, Bath).

In parallel to composition studies, from 2003 to 2007 she studied Music Theory and Pedagogy at the Faculty of Music, University of Arts in Belgrade (Serbia), and received Master’s diploma in Music Pedagogy with major thesis in Music Analysis, supervised by composer prof. Miloš Zatkalik. She shortly studied Harpsichord at the Faculty of Music, University of Arts in Belgrade (2006-07), as well as Modern Greek Language at the Faculty of Philology, University of Belgrade (2003-05).

Having been selected for numerous workshops and master classes, Bosnić had the opportunity to work with many great composers, such as: Simon Steen-AndersenChaya CzernowinJames ClarkeMartin O’LearyKevin O’ConnellNicola LeFanuIan Wilson. She received scholarship by Donaueschinger Muziktage 2014 for the Next Generation Student Festival programme, and was awarded annual grants by the Ministry of Youth of the Republic of Serbia five years in a row (2008/09 – 2012/13).

Bosnić’s works have been performed in music and art festivals, such as: CTM FestivalDarmstädter FerienkurseFestival junger Künstler Bayreuth (Germany), Impuls 2019 (Austria), International Review of ComposersAprilski susretiKOMA – Compositions of Young Authors, Music – Here & Now in Belgrade (Serbia), International Youth Arts Festival in Kingston upon Thames, Composers Forum in London (UK), Sites + Subjects in Plovdiv (Bulgaria) and Timsonia 2018 new music festival in Timisoara (Romania).

Since 2010, she manages and curates contemporary music projects, events, concerts and lectures at the Association Zabuna – organization she founded to support development of new music scene in Belgrade. Her works Zabuna on Stage were performed around Europe with the support of Ministry of Culture of the Republic of Serbia , Secretariat for CultureGoethe-Institut and European Cultural Foundation.

At the beginning of 2019 she was invited to be a Fellow at the MusicMakers Hacklab at CTM Festival in Berlin (Germany), and participant of the Extended Percussion Composition program at the IMPULS festival in Graz (Austria). She was awarded the scholarship in memoriam Iannis Xenakis by Delian New Music Academy to take full participation in the program and have a new work premiered by Klangforum Wien ensemble in June 2019, in Mykonos (Greece).

Website:
Ordered by year. Most recent works appears first

Solo Instrument


C:\GAME> start MS-DOS tale for accordion (2019)
A/C Modulations for piano (2018)
Ponovo pff... for solo double bass (2009)

Ensemble (Instruments or Voices) and Real Time Electronics


\com.app.data Ever-changing piece for two groups of musicians with phone apps (2019)

Chamber Ensemble (5 - 9 instruments)


Cavitation for baroque ensemble (two baroque violins, baroque viola, viola da gamba and harpsichord) (2017)

Ensemble (10 - 19 instruments)


The Upgrade [for a group of musicians with phones ...in an imaginary waiting room from a not-too distant future) for voice, flute, piano, accordion and string orchestra (4,4,3,3,1) and all their smartphones (2017)

Symphony Orchestra


Ti Mathena To Su Pericha To Ocos for piano and orchestra (2009) (2009)
A/C Modulations for piano (2018)
C:\GAME> start MS-DOS tale for accordion (2019)
Cavitation for baroque ensemble (two baroque violins, baroque viola, viola da gamba and harpsichord) (2017)
Ponovo pff... for solo double bass (2009)
The Upgrade [for a group of musicians with phones ...in an imaginary waiting room from a not-too distant future) for voice, flute, piano, accordion and string orchestra (4,4,3,3,1) and all their smartphones (2017)
Ti Mathena To Su Pericha To Ocos for piano and orchestra (2009) (2009)
\com.app.data Ever-changing piece for two groups of musicians with phone apps (2019)