Pablo Rubino Lindner

Play all audio recordings

Professional violinist, currently Chief of Second Violins in the Teatro Argentino Permanent Orchestra. Studied Composition at the La Plata National University, where he graduated with the highest average of his class, scoring a 10/10 in his Diploma Thesis.

In recent years he developed an international career as a composer, and participated as violinist in the Argentinean premiere of works such as “In Vain” (G.F. Haas), “Begehren” (Beat Furrer, with the composer conducting), “Written on Skin” (G. Benjamin), “De Materie” (L. Andrissen), among others.

Some of his pieces received premiere in international festivals, and he took individual lessons and/or  masterclasses with some of the most renewed composers of today, as, among others, Helmut Lachenmann, Beat Furrer, Simon Steen-Andersen, Mark Andre, Pierluigi Billone.

He is currently Assistant Professor of Contemporary Repertoire at the La Plata National University. 

He participated in many festivals and received some prizes, among others: Toru Takemitsu Composition Award 1st Prize; IMPULS Academy 2019; TACEC Generation Festival; highSCORE Festival (Pavia, Italy, 2018); Bruno Maderna Composers Competition; Premio Juan Carlos Paz (Buenos Aires, Argentina, 2017); Nordic Saxophone Festival in 2015, 2016 and 2017; Maurice Ravel Contest (Italy, 2015); Musique sans frontiers organized by The Alvarez Chamber Orchestra

Ordered by year. Most recent works appears first

Orchestral Music


Circular para orquesta inicial de gran tamaño (+ 150) (2023)
Entelequias Entelequias - for orchestra (2016)

Instrumental Music


Circular para orquesta inicial de gran tamaño (+ 150) (2023)
Mecanismos for string quartet (2022)
Lo otro for Piano trio (2022)
Dualismos for Bassoon and Cello (2022)
Homeomerías for solo trombone (2021)
Vitrales for ensemble (2021)
Sinfonías for solo Guitar (2020)
Turdus Rufiventris Turdus Rufiventris - for two violas (2019)
Proto Proto - for 9 instruments (2019)
Aurática for solo Harp (2019)
Teaser for solo Viola (2018)
Los unos en uno y el uno Los unos en uno y el uno - for five timpani (one player) (2017)
Sombras de lo que fue for Saxophone Octet (2017)
"...parecen querer decirnos algo..." para 18 instrumentos (2013)
Densidad específica para piano (2008)

Solo Instrument


Aurática for solo Harp (2019)
Los unos en uno y el uno Los unos en uno y el uno - for five timpani (one player) (2017)
Densidad específica para piano (2008)

Chamber Ensemble (5 - 9 instruments)


Proto Proto - for 9 instruments (2019)
Sombras de lo que fue for Saxophone Octet (2017)

Chamber Group ( 2 - 4 instruments )


Turdus Rufiventris Turdus Rufiventris - for two violas (2019)
Pendular Pendular - for string quartet (2018)
Irreversibilidad for string quartet (2018)
Coso anudado for Saxophone quartet (2015)

String Quartet


Pendular Pendular - for string quartet (2018)
Irreversibilidad for string quartet (2018)

Symphony Orchestra


Entelequias Entelequias - for orchestra (2016)

Saxophone Quartet


Coso anudado for Saxophone quartet (2015)
"...parecen querer decirnos algo..." para 18 instrumentos (2013)
Aurática for solo Harp (2019)
Circular para orquesta inicial de gran tamaño (+ 150) (2023)
Coso anudado for Saxophone quartet (2015)
Densidad específica para piano (2008)
Dualismos for Bassoon and Cello (2022)
Entelequias Entelequias - for orchestra (2016)
Homeomerías for solo trombone (2021)
Irreversibilidad for string quartet (2018)
Lo otro for Piano trio (2022)
Los unos en uno y el uno Los unos en uno y el uno - for five timpani (one player) (2017)
Mecanismos for string quartet (2022)
Pendular Pendular - for string quartet (2018)
Proto Proto - for 9 instruments (2019)
Sinfonías for solo Guitar (2020)
Sombras de lo que fue for Saxophone Octet (2017)
Teaser for solo Viola (2018)
Turdus Rufiventris Turdus Rufiventris - for two violas (2019)
Vitrales for ensemble (2021)