Courants II: Unreality of All Things

Courants II: Unreality of all things is the second of five pieces that treat a theme of possible co-existence of parallel narratives. The harmonic-temporal structure was pre-established and is entirely based on a five notes sequence, its permutations, multiplications and symmetries distributed through loose isorhythmic patterns for each instrument. Harmonic fields as a result of the form resolved in this way, permit a relatively great degree of liberty in a final choice of gestures. The gestural character of the piece invokes my fascination by rock music and my attempt to reconcile to the phenomenon of rhythm.