Para leer las partituras completas en línea,
suscribirse a la biblioteca en línea
preview1_10260.231030.154853
preview2_10260.231030.154853
preview3_10260.231030.154853
no se encontró imagen File 2

Tredici secondi ovvero Un bipede implume ma con unghie piatte

Chamber opera in one act

22,00 €
Versión impresa (+21,40 € impresión y envío). Colissimo7-14 days aprox.
Versión digital (+0,00 €) para descarga
Al comprar una partitura, usted puede contactar al compositor aquí mismo!
Especificaciones
Region
Europe
Estimated Duration
16 - 20min
Date
2019

ISMN : 979-0-2325-7335-9

Videos alrededor de ésta pieza
Descripción
Libretto by Fabrizio Funari

When a man's car breaks down on a deserted provincial road, he seeks help in an anonymous and derelict bar, marked by an old neon sign. In the cold light of the room, the man notices the profiles of two women and a man silhouetted against the back wall next to the counter. The three characters are sitting in a semicircle with their backs to the wall and a collected and serious expression fixed on an enormous chicken which, expressionless, stands on a table in the center of the seat. In difficulty, the Man tries to interact in vain but the characters, he learns inconveniently, are concentrated on the task of making the bird fly...

 

Tredici secondi ovvero Un bipede implume ma con unghie piatte (Thirteen Seconds or A Featherless Biped but with Flat Nails) is a tribute to the theater of the absurd to the extent that it manifests a sense of vague metaphysical anguish in the face of the burlesque absurdity of the human condition. In the dramaturgical tradition of Eugene Ionescu, Samuel Beckett and, in a more existentialist sense, Jean Paul Sartre, Jean Genet and Albert Camus, the work reveals the failure of communication – and understanding – in modern society which leaves man alienated , self-referential and conformist.

 

Through the ploy of the broken down car - which calls into question the expectation of reality - within the psychogeographical dynamics of the non-place, Man is catapulted into a sterile and homogenized reality. Every time he tries to interact with the characters, non-sequiturs will follow which will emphasize first the exasperation and then the profound discouragement produced by the failure of communication and lack of understanding.

 

F. Funari

Instrumentation
Flute
Clarinet
Trumpet
Percussions
Piano
Soprano voice
Tenor voice
Baritone voice
Bass voice
Violin (2)
Viola
Cello
Midi keyboard
Recording
Tredici Secondi o Un Bipede Implume ma con Unghie Piatte
Opera in one act

composer Marco Benetti
librettist Fabrizio Funari

stage direction Francesca Merli

conductor Matthieu Mantanus
Ensemble Novecento dell’Accademia Nazionale di Santa Cecilia

singers Ugo Tarquini Emily De Salve Eleonora Claps Miguel Maduro-Dias

electronics CIMM - Centro di Informatica Musicale e Multimediale della Biennale di Venezia
computer music design Simone Conforti

set design DAvide SIgnorini
light design Moritz Zavan Stockle
make-up Anna Lazzarini
costumes Davide Signorini and Francesca Merli
props Cecilia Sacchi

répétiteurs Marina D’Ambroso
Score Details
Format - A3 / Tabloid
Pages - 108


Customers Who Viewed This Piece Also Viewed:
noimage