Krach (Rumpus)

Krach (or Rumpus) was born from a study made with a Dresden's choreographer, Daniela Lehmann, about the relationship between noise and sound, body's presence and absence. In this way we thought about the nature of shape throughout body’s movements and gesture's could make sound: at first it was the voice. The latter was analyzed, re-synthesized, filtered, melted, transformed. We studied the ambivalence ingrained into the noise («krach»), or, better into the state of rumpus. The work became a focus on the "ambivalence" shown throughout voice's and body's gesture inside an unshaped reality made of fundamental elements without a familiar semantic shown and of relations between inner feelings and outer reality, fear and curiosity at the same time (and for some people all of this could be overwhelming for other just normal). The music represents and guides one a possible process made of this elements. The text is focused on German consonants that emphasize inharmonic components. The writing also tries to guide into an imaginary field coherent with the purpose. Talu Lehmann is the child who speaks.