Hans Tutschku

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Born 1966 in Weimar. Member of the "Ensemble for intuitive music Weimar" since 1982. He studied composition of electronic music at the college of music Dresden and had since 1989 the opportunity to participate in several concert cycles of Karlheinz Stockhausen to learn the art of the sound direction. He further studied 1991/92 Sonology and electroacoustic composition at the royal conservatoire in the Hague (Holland).

1994 followed a one year’s study stay at IRCAM in Paris. He taught 1995/96 as a guest professor electroacoustic composition in Weimar. 1996 he participated in composition workshops with Klaus Huber and Brian Ferneyhough. 1997-2001 he taught electroacoustic composition at IRCAM in Paris and from 2001 to 2004 at the conservatory of Montbéliard.

In May 2003 he completed a doctorate (PhD) with Professor Dr. Jonty Harrison at the University of Birmingham. During the spring term 2003 he was the "Edgar Varèse Gast Professor" at the TU Berlin.

Since September 2004 Hans Tutschku has been working as composition professor and director of the electroacoustic studios at Harvard University (Cambridge, USA).

He is the winner of many international composition competitions, among other: Bourges, CIMESP Sao Paulo, Hanns Eisler price, Prix Ars Electronica, Prix Noroit and Prix Musica Nova. In 2005 he received the culture prize of the city of Weimar. 2013/14 he is a Fellow at the Radcliffe Institute for Advanced Study.

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Discography:

Computer Music Journal - Volume 36, 2012
30 years festival inventionen Berlin, DAAD, 2012
CIMESP 14th international Electroacoustic Music Contest of Sao Paulo
Musik in Deutschland 1950-2000 , Deutscher Musikrat
Migration - Arizona University Recordings LLC, AUR CD 3134 2007
"Für Kommende Zeiten" - Ensemble für Intuitive Musik Weimar plays Karlheinz Stockhausen
DVD - 50 Years TU Studio Berlin
Klangreise - Ensemble für Intuitive Musik Weimar (EFIM) 2004
Computer Music Journal - Volume 27, 2003
15.+16. Tage Dresdner Tage Zeitgenössischer Musik
Compendium International - IMEB Bourges 2000
Presence II - Productions électro Productions (PeP) 2000
MOMENT - empreintes DIGITALes 2000
eXcitations - empreintes DIGITALes 2000
Prix Ars Electronica Linz - 1998
Ausbruch Aufbruch - DegeM-CD04 1998
Prix International Noroit - Léonce Petitot 1998
electroNIquE, CD for the opening of the electronic studios at the University Singapore
CIMESP Sao Paulo - 1995
Ausbruch der Klänge - Ensemble für Intuitive Musik Weimar in Mexico City 1994
Stimmen...Klänge - DegeM-CD01 1994

Featured Pieces

Tri par année. Les pièces les plus recentes apparaissent d'abord

Ensemble (Instruments ou voix) et électronique fixée


Moments before the eruption for seven instruments and electronics (2018)

Soliste (Instrument ou voix) et électronique en temps réel


Voice unrooted for soprano and electronics (2016)
Pressure for violoncello and electronics (2015)

Soliste (Instrument ou voix) et électronique fixée


Shadow of bells (2014)

Instruments et électronique


Moments before the eruption for seven instruments and electronics (2018)
Voice unrooted for soprano and electronics (2016)
Pressure for violoncello and electronics (2015)
Shadow of bells (2014)
Still Air I (2013)
Under (2013)
Behind the Light (2011)
Irrgärten (2010)
Shore (2007)
Einst mit dir (2007)
Winternacht (2006)
Zellen-Linien (2006)
SprachSchlag (2000)
Drei Traumgesichter (1995)
Freibrief für einen Traum (1995)
Nachts (1994)

Ensemble (Instruments ou voix) et électronique en temps réel


Under (2013)

Voix et instruments


Entwurzelt (2012)
Behind the Light (2011)
Drei Traumgesichter (1995)
Einst mit dir (2007)
Entwurzelt (2012)
Freibrief für einen Traum (1995)
Irrgärten (2010)
Moments before the eruption for seven instruments and electronics (2018)
Nachts (1994)
Pressure for violoncello and electronics (2015)
Shadow of bells (2014)
Shore (2007)
SprachSchlag (2000)
Still Air I (2013)
Under (2013)
Voice unrooted for soprano and electronics (2016)
Winternacht (2006)
Zellen-Linien (2006)