Heather Frasch

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HEATHER FRASCH, is a composer of acoustic and electroacoustic concert music, performer/composer, and creator of interactive sound installations and digital instruments. Through the creation of complex timbres, the usage of unstable notation systems, and electronics her work explores notions of fragility and stillness within an intermedia sonic arts practice. Influenced by the dis-embodiment of acousmatic music practices, she investigates the re-embodiment of sound and the intimacy between humans and their technological objects.

 

She holds a PhD from the University of California, Berkeley and further degrees from IRCAM, CNR de Lyon, and Temple University. Her work has been supported by: Musikfonds e. V., Initiative Neue Musik Berlin and Kulturförderung des Goethe-Instituts. She was Visiting Assistant Professor of Composition and Computer Technologies at The University of Virginia (2018-2020). She is Associate Professor  of Music Technology at the Norwegian University of Science and Technology NTNU (Fall 2021).--

Tri par année. Les pièces les plus recentes apparaissent d'abord

Musique Instrumentale


In & out of focus, precariously for two double basses (2021)
Mist for String Quartet & Real-time Electronics (2021)
Slightly Shifting for 2 violas, bass clarinet and double bass (2018)

Ensemble (Instruments ou voix) et électronique en temps réel


Still & stretched: a mute tumult of memories for digitalized boxes (real time electronics) and chamber ensemble (2017)

Ensemble (Instruments ou voix) et électronique fixée


Interacting with infinity (2012)

Ensemble de Chambre (5 - 9 instruments)


Sonic Fabric (2012)
Segmented Fragmentations For flute, clarinet, violin, cello, vibraphone and piano (2007)
7 biosphère vivant dans un marais (2006)

Soliste (Instrument ou voix) et électronique en temps réel


Quietly Breathing for bass clarinet and electronics (2012)
Métal Re-sculpté (2009)

Voix et instruments


Collage (2011)

Soliste (Instrument ou voix) et électronique fixée


Sans Histoire (2005)
7 biosphère vivant dans un marais (2006)
Collage (2011)
In & out of focus, precariously for two double basses (2021)
Interacting with infinity (2012)
Métal Re-sculpté (2009)
Mist for String Quartet & Real-time Electronics (2021)
Quietly Breathing for bass clarinet and electronics (2012)
Sans Histoire (2005)
Segmented Fragmentations For flute, clarinet, violin, cello, vibraphone and piano (2007)
Slightly Shifting for 2 violas, bass clarinet and double bass (2018)
Sonic Fabric (2012)
Still & stretched: a mute tumult of memories for digitalized boxes (real time electronics) and chamber ensemble (2017)