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Imitating the Vivacity of the Human Voice
ISMN : 979-0-2325-3017-8
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Technically, Imitating… presents incomplete (and embedded) tuplets on multiple strata that are to be interpreted flexibly in relation to a temporal grid laid out above the notation.
Imitating … continues work with ornamentation as presented by Silvestro Ganassi, in his treatise dal Fontego Opera intitulata Fontegara (Venice, 1535). These ornaments are not to be treated in a historical manner, but rather the performer is asked to simulate non-diatonic contours and gestures, often in competition with an already abundant notation. Such prolongation offered through archetypal symbols provides a fleeting logos that is demonstrably risky.
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