TTT

TTT is composed as a suite. The sections are clearly divided but not intended to be performed separately. The only exception is part D, which may be played as a percussion solo with electronics.

TTT intends to explore diversity in interactions between percussions and organ, whereas the electronics represent sound reverberation in a distorted acoustic space.

The dual nature of percussions (pitched/non-pitched) creates a tension with the organ, until the least  comes to the ultimate paradox at the very end of the piece, where, with the switched off motor, the keys mechanic noise becomes a percussion instrument itself.

The electronics are composed as octofonic triggered fixed media. A 4ch playback is also possible.

TTT is composed for and dedicated to my friend Paolo Bertoldo.