Kosmas Giannoutakis

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Music as emergent order is the artistic research focus of Kosmas Giannoutakis. He situates installative, performative and digital agencies as non-hierarchical interconnected networks which exchange information through the medium of sound. His artistic output includes experimental music forms that identify and catalyze unpredictable and unrepeatable sonic behavior.

Kosmas’s work have been presented in various international festivals, such as inSonic2015 and next_generation in ZKM Karlsruhe, Junge SIGNALE in Graz, Soundislands Festival/2nd International Symposium on Sound and Interactivity in Singapore, Toronto International Electroacoustic Symposium 2016, Gaudeamus Muziekweek 2015 and ICMC 2016 in Utrecht, REAL/UNREAL BEAST FEaST 2016 in Birmingham, klingt gut! Symposium on Sound in Hamburg, “The Digital Body” International Exhibition in Bucharest.

Born in Thessaloníki Greece, he has studied piano, percussion, composition and computer music at the University of Macedonia, University of Music FRANZ LISZT Weimar and University of Music Freiburg. Currently, he carries on his artistic experiments at the inspiring environment of the Institute of Electronic Music and Acoustics – IEM at the University of Music and Performing Arts Graz.

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Tri par année. Les pièces les plus recentes apparaissent d'abord

Musique et Vidéo

Unlock the piano (2014)

Ensemble de Chambre (5 - 9 instruments)

Metabolism (2014)

Groupe de Chambre (2 - 4 instruments)

Quartet for young string players (2014)
Looking backward (2013)
Ablauf (2011)
Vorrichtung (2011)
Quartet (2004)

Voix et instruments

The Vanishing (2014)

Soliste (Instrument ou voix) et électronique en temps réel

Innen-Außen-Außerhalb (2011)

Ensemble (Instruments ou voix) et électronique fixée

Antiparathesi (2011)