Arshia Samsaminia
Play all audio recordingsArshia Samsaminia (1989) was born in Tehran, Iran
He studied composition at Sibelius Academy in Finland , Tbilisi State Conservatory and Estonian Academy of Music and Theater under Helena Tulve.
His compositions have been selected and performed in different festivals such as The Sounds and Images 2018 at Eastman Audio Research Studio New York , Sound of Stockholm , Estonian Music Days , Art and Science day 2016 Bourges , Mixtur Festival Barcelona , UNG Nordisk Musik Festival Iceland 2017, Łódź Academy of Music Poland, Batumi Contemporary Music Festival Georgia and etc.
He attended in masterclasses held by Georg Friedrich Haas, Tristan Murail , Alexander Schubert,Klaus Lang,Michael Finnissy ,Rebeca Saunders, Karlheinz Essl, Pierluigi Billone, Georg hajdu, and etc.
He has had collaborations with Stockholm Saxophone Quartet (Sweden), Ensemble Garage (Germany), Sepia Ensemble (Poland),Ljubljana Contemporary Chamber Orchestra (at Slovenian Philharmonic Hall),EMTA Sinfonietta (Estonia), GEPO (UNESCO) orchestra in Paris, Tbilisi Contemporary Ensemble, Omnibus Ensemble, and etc.
His works have been performed in Germany , Sweden , Iceland, Finland, Spain, Poland, USA, France ,Slovenia ,Italy,Estonia , Georgia, Iran, Serbia, Armenia and etc
He studied composition at Sibelius Academy in Finland , Tbilisi State Conservatory and Estonian Academy of Music and Theater under Helena Tulve.
His compositions have been selected and performed in different festivals such as The Sounds and Images 2018 at Eastman Audio Research Studio New York , Sound of Stockholm , Estonian Music Days , Art and Science day 2016 Bourges , Mixtur Festival Barcelona , UNG Nordisk Musik Festival Iceland 2017, Łódź Academy of Music Poland, Batumi Contemporary Music Festival Georgia and etc.
He attended in masterclasses held by Georg Friedrich Haas, Tristan Murail , Alexander Schubert,Klaus Lang,Michael Finnissy ,Rebeca Saunders, Karlheinz Essl, Pierluigi Billone, Georg hajdu, and etc.
He has had collaborations with Stockholm Saxophone Quartet (Sweden), Ensemble Garage (Germany), Sepia Ensemble (Poland),Ljubljana Contemporary Chamber Orchestra (at Slovenian Philharmonic Hall),EMTA Sinfonietta (Estonia), GEPO (UNESCO) orchestra in Paris, Tbilisi Contemporary Ensemble, Omnibus Ensemble, and etc.
His works have been performed in Germany , Sweden , Iceland, Finland, Spain, Poland, USA, France ,Slovenia ,Italy,Estonia , Georgia, Iran, Serbia, Armenia and etc
Tri par année. Les pièces les plus recentes apparaissent d'abord
For Quarter-Tone Accordion and Ensemble
Arshia Samsaminia
For Double Manual Harpsichord
Arshia Samsaminia
For violin and fixed media
Arshia Samsaminia
For Klangforum Wien Ensemble
Arshia Samsaminia
For Piano, Electric Guitar, Percussions, Baritone Saxophone and Cello
Arshia Samsaminia
For Cello, Accordion, and Alto Saxophone
Arshia Samsaminia
For Bass Clarinet, Cello, and Electric Guitar
Arshia Samsaminia
for solo piano and electronics
Arshia Samsaminia
for alto saxophone and chamber orchestra
Arshia Samsaminia
For Solo Accordion
Arshia Samsaminia
for string nonet
Arshia Samsaminia
for saxophone quartet
Arshia Samsaminia
Résultats 1 à 12 sur 12
Ensemble de Chambre (5 - 9 instruments)
Nodes and Arcs For Quarter-Tone Accordion and Ensemble (2023)
Inside The Twisted Mind of The Mr. Sophistication For Piano, Electric Guitar, Percussions, Baritone Saxophone and Cello (2019)
Echopraxia for string nonet (2017)
Instrument Solo
Alarm Fatigue For Double Manual Harpsichord (2021)
SoundScapeS For Solo Accordion (2017)
Soliste (Instrument ou voix) et électronique fixée
Beyond the autonomous sensory meridian response For violin and fixed media (2020)
Gravity II for solo piano and electronics (2018)
Groupe de Chambre (2 - 4 instruments)
Gavesht II For Klangforum Wien Ensemble (2019)
Constructive Imaginary II: Electrosonics For Cello, Accordion, and Alto Saxophone (2019)
Old Age, Adolescence, and Infancy For Bass Clarinet, Cello, and Electric Guitar (2018)
4OUR for saxophone quartet (2016)
Instruments et électronique
Beyond the autonomous sensory meridian response For violin and fixed media (2020)
Gravity II for solo piano and electronics (2018)
Echopraxia for string nonet (2017)
4OUR for saxophone quartet (2016)
Alarm Fatigue For Double Manual Harpsichord (2021)
Beyond the autonomous sensory meridian response For violin and fixed media (2020)
Constructive Imaginary II: Electrosonics For Cello, Accordion, and Alto Saxophone (2019)
Echopraxia for string nonet (2017)
Gavesht II For Klangforum Wien Ensemble (2019)
Gravity II for solo piano and electronics (2018)
Inside The Twisted Mind of The Mr. Sophistication For Piano, Electric Guitar, Percussions, Baritone Saxophone and Cello (2019)
Nodes and Arcs For Quarter-Tone Accordion and Ensemble (2023)
Old Age, Adolescence, and Infancy For Bass Clarinet, Cello, and Electric Guitar (2018)
Saba the Wind for alto saxophone and chamber orchestra (2018)
SoundScapeS For Solo Accordion (2017)
Alarm Fatigue For Double Manual Harpsichord (2021)
Beyond the autonomous sensory meridian response For violin and fixed media (2020)
Constructive Imaginary II: Electrosonics For Cello, Accordion, and Alto Saxophone (2019)
Echopraxia for string nonet (2017)
Gavesht II For Klangforum Wien Ensemble (2019)
Gravity II for solo piano and electronics (2018)
Inside The Twisted Mind of The Mr. Sophistication For Piano, Electric Guitar, Percussions, Baritone Saxophone and Cello (2019)
Nodes and Arcs For Quarter-Tone Accordion and Ensemble (2023)
Old Age, Adolescence, and Infancy For Bass Clarinet, Cello, and Electric Guitar (2018)
Saba the Wind for alto saxophone and chamber orchestra (2018)
SoundScapeS For Solo Accordion (2017)