Anahita Abbasi

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Featured Pieces

Tri par année. Les pièces les plus recentes apparaissent d'abord

Ensemble de Chambre (5 - 9 instruments)


Within the Hadal and Epi ..."They say that the other side of the world is more beautiful, but, who has come back from there to tell us, if it's beautiful or not? “ revised 2022, New York (2022)
Situation VIII ec(h)o-systems (2022)
Cordatum “companion piece" to Octandre By Varèse commissionedby Steven Schick (2017)
Situation III Je - Tu- Nous (2016)

Groupe de Chambre (2 - 4 instruments)


Paradigm for voice and bass clarinet (2021)
Enigma Patterns commissioned by Platypus Ensemble (2017)
Sirventès for Cello and Percussion (2017)
Distorted Attitudes V Coinciding Destinations (2017)
Elixir Night & Mystery (2017)
Moving Surfaces III Another Birth (2015)
Distorted Attitudes IV- Facile Synthesis (2015)

Orchestre Symphonique


Why the trees were murmuring Commissioned by Brenda and Steven Schick Written for the La Jolla Symphony dedicated to and Inspired by all the exceptional encounters with the caring, loving and exceptional community of the UC San Diego Music Department (2019)

Voix et instruments


Seven Impressions for Voice and Percussion (2017)
Distorted Attitudes III-Scattered for Baritone and large Tam-Tam. (2014)

Instrument Solo


No, I am not roaming aimlessly for solo flute (2017)
Situation IV - Io-E-iO for solo violin Commissioned by Marco Fusi, Dedicated to Andrew McIntosh (2017)
Schattenfragmente for solo accordion (2011)



Musique Instrumentale


Within the Hadal and Epi ..."They say that the other side of the world is more beautiful, but, who has come back from there to tell us, if it's beautiful or not? “ revised 2022, New York (2022)
Situation VIII ec(h)o-systems (2022)
Paradigm for voice and bass clarinet (2021)
Situation IV - Io-E-iO for solo violin Commissioned by Marco Fusi, Dedicated to Andrew McIntosh (2017)
Cordatum “companion piece" to Octandre By Varèse commissionedby Steven Schick (2017)
Elixir Night & Mystery (2017)
No, I am not roaming aimlessly for solo flute (2017)
Enigma Patterns commissioned by Platypus Ensemble (2017)
Sirventès for Cello and Percussion (2017)
Distorted Attitudes V Coinciding Destinations (2017)
Situation I Incidents (2016)
FAAB IV A femme fatale (2016)
Moving Surfaces III Another Birth (2015)
Schattenfragmente for solo accordion (2011)

Quatuor à Cordes


Distorted Attitudes IV- Facile Synthesis (2015)
Cordatum “companion piece" to Octandre By Varèse commissionedby Steven Schick (2017)
Distorted Attitudes III-Scattered for Baritone and large Tam-Tam. (2014)
Distorted Attitudes IV- Facile Synthesis (2015)
Distorted Attitudes V Coinciding Destinations (2017)
Elixir Night & Mystery (2017)
Enigma Patterns commissioned by Platypus Ensemble (2017)
FAAB IV A femme fatale (2016)
Moving Surfaces III Another Birth (2015)
No, I am not roaming aimlessly for solo flute (2017)
Paradigm for voice and bass clarinet (2021)
Schattenfragmente for solo accordion (2011)
Seven Impressions for Voice and Percussion (2017)
Sirventès for Cello and Percussion (2017)
Situation I Incidents (2016)
Situation III Je - Tu- Nous (2016)
Situation IV - Io-E-iO for solo violin Commissioned by Marco Fusi, Dedicated to Andrew McIntosh (2017)
Situation VIII ec(h)o-systems (2022)
Why the trees were murmuring Commissioned by Brenda and Steven Schick Written for the La Jolla Symphony dedicated to and Inspired by all the exceptional encounters with the caring, loving and exceptional community of the UC San Diego Music Department (2019)
Within the Hadal and Epi ..."They say that the other side of the world is more beautiful, but, who has come back from there to tell us, if it's beautiful or not? “ revised 2022, New York (2022)