Featured Pieces
A femme fatale
10 E Instrumentation
Tri par année. Les pièces les plus recentes apparaissent d'abord
..."They say that the other side of the world is more beautiful, but, who has come back from there to tell us, if it's beautiful or not? “ revised 2022, New York
Anahita Abbasi
ec(h)o-systems
Anahita Abbasi
for voice and bass clarinet
Anahita Abbasi
Commissioned by Brenda and Steven Schick Written for the La Jolla Symphony dedicated to and Inspired by all the exceptional encounters with the caring, loving and exceptional community of the UC San Diego Music Department
Anahita Abbasi
Coinciding Destinations
Anahita Abbasi
for Voice and Percussion
Anahita Abbasi
commissioned by Platypus Ensemble
Anahita Abbasi
for solo violin Commissioned by Marco Fusi, Dedicated to Andrew McIntosh
Anahita Abbasi
for Cello and Percussion
Anahita Abbasi
for solo flute
Anahita Abbasi
Night & Mystery
Anahita Abbasi
“companion piece" to Octandre By Varèse commissionedby Steven Schick
Anahita Abbasi
Je - Tu- Nous
Anahita Abbasi
Incidents
Anahita Abbasi
A femme fatale
Anahita Abbasi
Facile Synthesis
Anahita Abbasi
Another Birth
Anahita Abbasi
for Baritone and large Tam-Tam.
Anahita Abbasi
for solo accordion
Anahita Abbasi
Résultats 1 à 19 sur 19
Ensemble de Chambre (5 - 9 instruments)
Within the Hadal and Epi ..."They say that the other side of the world is more beautiful, but, who has come back from there to tell us, if it's beautiful or not? “ revised 2022, New York (2022)
Situation VIII ec(h)o-systems (2022)
Cordatum “companion piece" to Octandre By Varèse commissionedby Steven Schick (2017)
Situation III Je - Tu- Nous (2016)
Groupe de Chambre (2 - 4 instruments)
Paradigm for voice and bass clarinet (2021)
Enigma Patterns commissioned by Platypus Ensemble (2017)
Sirventès for Cello and Percussion (2017)
Distorted Attitudes V Coinciding Destinations (2017)
Elixir Night & Mystery (2017)
Moving Surfaces III Another Birth (2015)
Distorted Attitudes IV- Facile Synthesis (2015)
Orchestre Symphonique
Why the trees were murmuring Commissioned by Brenda and Steven Schick Written for the La Jolla Symphony dedicated to and Inspired by all the exceptional encounters with the caring, loving and exceptional community of the UC San Diego Music Department (2019)
Voix et instruments
Seven Impressions for Voice and Percussion (2017)
Distorted Attitudes III-Scattered for Baritone and large Tam-Tam. (2014)
Instrument Solo
No, I am not roaming aimlessly for solo flute (2017)
Situation IV - Io-E-iO for solo violin Commissioned by Marco Fusi, Dedicated to Andrew McIntosh (2017)
Schattenfragmente for solo accordion (2011)
Musique Instrumentale
Within the Hadal and Epi ..."They say that the other side of the world is more beautiful, but, who has come back from there to tell us, if it's beautiful or not? “ revised 2022, New York (2022)
Situation VIII ec(h)o-systems (2022)
Paradigm for voice and bass clarinet (2021)
Situation IV - Io-E-iO for solo violin Commissioned by Marco Fusi, Dedicated to Andrew McIntosh (2017)
Cordatum “companion piece" to Octandre By Varèse commissionedby Steven Schick (2017)
Elixir Night & Mystery (2017)
No, I am not roaming aimlessly for solo flute (2017)
Enigma Patterns commissioned by Platypus Ensemble (2017)
Sirventès for Cello and Percussion (2017)
Distorted Attitudes V Coinciding Destinations (2017)
Situation I Incidents (2016)
FAAB IV A femme fatale (2016)
Moving Surfaces III Another Birth (2015)
Schattenfragmente for solo accordion (2011)
Cordatum “companion piece" to Octandre By Varèse commissionedby Steven Schick (2017)
Distorted Attitudes III-Scattered for Baritone and large Tam-Tam. (2014)
Distorted Attitudes IV- Facile Synthesis (2015)
Distorted Attitudes V Coinciding Destinations (2017)
Elixir Night & Mystery (2017)
Enigma Patterns commissioned by Platypus Ensemble (2017)
FAAB IV A femme fatale (2016)
Moving Surfaces III Another Birth (2015)
No, I am not roaming aimlessly for solo flute (2017)
Paradigm for voice and bass clarinet (2021)
Schattenfragmente for solo accordion (2011)
Seven Impressions for Voice and Percussion (2017)
Sirventès for Cello and Percussion (2017)
Situation I Incidents (2016)
Situation III Je - Tu- Nous (2016)
Situation IV - Io-E-iO for solo violin Commissioned by Marco Fusi, Dedicated to Andrew McIntosh (2017)
Situation VIII ec(h)o-systems (2022)
Why the trees were murmuring Commissioned by Brenda and Steven Schick Written for the La Jolla Symphony dedicated to and Inspired by all the exceptional encounters with the caring, loving and exceptional community of the UC San Diego Music Department (2019)
Within the Hadal and Epi ..."They say that the other side of the world is more beautiful, but, who has come back from there to tell us, if it's beautiful or not? “ revised 2022, New York (2022)
Distorted Attitudes III-Scattered for Baritone and large Tam-Tam. (2014)
Distorted Attitudes IV- Facile Synthesis (2015)
Distorted Attitudes V Coinciding Destinations (2017)
Elixir Night & Mystery (2017)
Enigma Patterns commissioned by Platypus Ensemble (2017)
FAAB IV A femme fatale (2016)
Moving Surfaces III Another Birth (2015)
No, I am not roaming aimlessly for solo flute (2017)
Paradigm for voice and bass clarinet (2021)
Schattenfragmente for solo accordion (2011)
Seven Impressions for Voice and Percussion (2017)
Sirventès for Cello and Percussion (2017)
Situation I Incidents (2016)
Situation III Je - Tu- Nous (2016)
Situation IV - Io-E-iO for solo violin Commissioned by Marco Fusi, Dedicated to Andrew McIntosh (2017)
Situation VIII ec(h)o-systems (2022)
Why the trees were murmuring Commissioned by Brenda and Steven Schick Written for the La Jolla Symphony dedicated to and Inspired by all the exceptional encounters with the caring, loving and exceptional community of the UC San Diego Music Department (2019)
Within the Hadal and Epi ..."They say that the other side of the world is more beautiful, but, who has come back from there to tell us, if it's beautiful or not? “ revised 2022, New York (2022)