Featured Pieces
A femme fatale
10 E Instrumentation
Tri par année. Les pièces les plus recentes apparaissent d'abord
commissioned by and dedicated to Ensemble Modern
Anahita Abbasi
commissioned by and dedicated to Ensemble Modern
Anahita Abbasi
Posht-e Hietschestan
Anahita Abbasi
SPHERE
Anahita Abbasi
jemand wie wir
Anahita Abbasi
ec(h)o-systems
Anahita Abbasi
..."They say that the other side of the world is more beautiful,
but, who has come back from there to tell us, if it's beautiful or not? “
revised 2022, New York
Anahita Abbasi
Happenings (2021)
Anahita Abbasi
for voice and bass clarinet
Anahita Abbasi
Commissioned by Brenda and Steven Schick (2020)
Written for the La Jolla Symphony
dedicated to and Inspired by
all the exceptional encounters
with the caring, loving, and exceptional community of the UC San Diego Music ...
Anahita Abbasi
Night & Mystery
Anahita Abbasi
for solo violin
Commissioned by Marco Fusi, Dedicated to Andrew McIntosh
Anahita Abbasi
for Cello and Percussion
Anahita Abbasi
for solo flute
Anahita Abbasi
“companion piece" to Octandre By Varèse
commissionedby Steven Schick
Anahita Abbasi
Coinciding Destinations
Anahita Abbasi
for Voice and Percussion
Anahita Abbasi
commissioned by Platypus Ensemble
Anahita Abbasi
Incidents
Anahita Abbasi
A femme fatale
Anahita Abbasi
Je - Tu- Nous
Anahita Abbasi
Facile Synthesis
Anahita Abbasi
Another Birth
Anahita Abbasi
dedicated to Schallfeld Ensemble
Anahita Abbasi
for Baritone and large Tam-Tam.
Anahita Abbasi
for solo accordion
Anahita Abbasi
Résultats 1 à 26 sur 26
Grand Ensemble (20 - 35 instruments)
Situation XII - in our dwelling, we reside commissioned by and dedicated to Ensemble Modern (2023)
Situation XII - in our dwelling, we reside commissioned by and dedicated to Ensemble Modern (2023)
Ensemble (10 - 19 instruments)
Situation X jemand wie wir (2023)
Situation IX Posht-e Hietschestan (2023)
Ensemble de Chambre (5 - 9 instruments)
Situation XI SPHERE (2023)
Within the Hadal and Epi ..."They say that the other side of the world is more beautiful, but, who has come back from there to tell us, if it's beautiful or not? “ revised 2022, New York (2022)
Situation VIII ec(h)o-systems (2022)
Situation VI Happenings (2021) (2021)
Cordatum “companion piece" to Octandre By Varèse commissionedby Steven Schick (2017)
Situation III Je - Tu- Nous (2016)
Distorted Attitudes II - Labyrinth dedicated to Schallfeld Ensemble (2014)
Groupe de Chambre (2 - 4 instruments)
Paradigm for voice and bass clarinet (2021)
Distorted Attitudes V Coinciding Destinations (2017)
Elixir Night & Mystery (2017)
Enigma Patterns commissioned by Platypus Ensemble (2017)
Sirventès for Cello and Percussion (2017)
Moving Surfaces III Another Birth (2015)
Distorted Attitudes IV- Facile Synthesis (2015)
Orchestre Symphonique
WHY THE TREES WERE MURMURING Commissioned by Brenda and Steven Schick (2020) Written for the La Jolla Symphony dedicated to and Inspired by all the exceptional encounters with the caring, loving, and exceptional community of the UC San Diego Music ... (2020)
Instrument Solo
Situation IV - Io-E-iO for solo violin Commissioned by Marco Fusi, Dedicated to Andrew McIntosh (2017)
No, I am not roaming aimlessly for solo flute (2017)
Schattenfragmente for solo accordion (2011)
Voix et instruments
Seven Impressions for Voice and Percussion (2017)
Distorted Attitudes III-Scattered for Baritone and large Tam-Tam. (2014)
Musique Instrumentale
Situation IX Posht-e Hietschestan (2023)
Situation X jemand wie wir (2023)
Situation XII - in our dwelling, we reside commissioned by and dedicated to Ensemble Modern (2023)
Situation XII - in our dwelling, we reside commissioned by and dedicated to Ensemble Modern (2023)
Within the Hadal and Epi ..."They say that the other side of the world is more beautiful, but, who has come back from there to tell us, if it's beautiful or not? “ revised 2022, New York (2022)
Situation VIII ec(h)o-systems (2022)
Paradigm for voice and bass clarinet (2021)
Elixir Night & Mystery (2017)
No, I am not roaming aimlessly for solo flute (2017)
Enigma Patterns commissioned by Platypus Ensemble (2017)
Sirventès for Cello and Percussion (2017)
Distorted Attitudes V Coinciding Destinations (2017)
Situation IV - Io-E-iO for solo violin Commissioned by Marco Fusi, Dedicated to Andrew McIntosh (2017)
Cordatum “companion piece" to Octandre By Varèse commissionedby Steven Schick (2017)
Situation I Incidents (2016)
FAAB IV A femme fatale (2016)
Moving Surfaces III Another Birth (2015)
Distorted Attitudes II - Labyrinth dedicated to Schallfeld Ensemble (2014)
Schattenfragmente for solo accordion (2011)
Cordatum “companion piece" to Octandre By Varèse
commissionedby Steven Schick (2017)
Distorted Attitudes II - Labyrinth dedicated to Schallfeld Ensemble (2014)
Distorted Attitudes III-Scattered for Baritone and large Tam-Tam. (2014)
Distorted Attitudes IV- Facile Synthesis (2015)
Distorted Attitudes V Coinciding Destinations (2017)
Elixir Night & Mystery (2017)
Enigma Patterns commissioned by Platypus Ensemble (2017)
FAAB IV A femme fatale (2016)
Moving Surfaces III Another Birth (2015)
No, I am not roaming aimlessly for solo flute (2017)
Paradigm for voice and bass clarinet (2021)
Schattenfragmente for solo accordion (2011)
Seven Impressions for Voice and Percussion (2017)
Sirventès for Cello and Percussion (2017)
Situation I Incidents (2016)
Situation III Je - Tu- Nous (2016)
Situation IV - Io-E-iO for solo violin Commissioned by Marco Fusi, Dedicated to Andrew McIntosh (2017)
Situation IX Posht-e Hietschestan (2023)
Situation VI Happenings (2021) (2021)
Situation VIII ec(h)o-systems (2022)
Situation X jemand wie wir (2023)
Situation XI SPHERE (2023)
Situation XII - in our dwelling, we reside commissioned by and dedicated to Ensemble Modern (2023)
Situation XII - in our dwelling, we reside commissioned by and dedicated to Ensemble Modern (2023)
WHY THE TREES WERE MURMURING Commissioned by Brenda and Steven Schick (2020) Written for the La Jolla Symphony dedicated to and Inspired by all the exceptional encounters with the caring, loving, and exceptional community of the UC San Diego Music ... (2020)
Within the Hadal and Epi ..."They say that the other side of the world is more beautiful, but, who has come back from there to tell us, if it's beautiful or not? “ revised 2022, New York (2022)
Distorted Attitudes II - Labyrinth dedicated to Schallfeld Ensemble (2014)
Distorted Attitudes III-Scattered for Baritone and large Tam-Tam. (2014)
Distorted Attitudes IV- Facile Synthesis (2015)
Distorted Attitudes V Coinciding Destinations (2017)
Elixir Night & Mystery (2017)
Enigma Patterns commissioned by Platypus Ensemble (2017)
FAAB IV A femme fatale (2016)
Moving Surfaces III Another Birth (2015)
No, I am not roaming aimlessly for solo flute (2017)
Paradigm for voice and bass clarinet (2021)
Schattenfragmente for solo accordion (2011)
Seven Impressions for Voice and Percussion (2017)
Sirventès for Cello and Percussion (2017)
Situation I Incidents (2016)
Situation III Je - Tu- Nous (2016)
Situation IV - Io-E-iO for solo violin Commissioned by Marco Fusi, Dedicated to Andrew McIntosh (2017)
Situation IX Posht-e Hietschestan (2023)
Situation VI Happenings (2021) (2021)
Situation VIII ec(h)o-systems (2022)
Situation X jemand wie wir (2023)
Situation XI SPHERE (2023)
Situation XII - in our dwelling, we reside commissioned by and dedicated to Ensemble Modern (2023)
Situation XII - in our dwelling, we reside commissioned by and dedicated to Ensemble Modern (2023)
WHY THE TREES WERE MURMURING Commissioned by Brenda and Steven Schick (2020) Written for the La Jolla Symphony dedicated to and Inspired by all the exceptional encounters with the caring, loving, and exceptional community of the UC San Diego Music ... (2020)
Within the Hadal and Epi ..."They say that the other side of the world is more beautiful, but, who has come back from there to tell us, if it's beautiful or not? “ revised 2022, New York (2022)