diffraction courses

Contrary to my last works in which the instrument-specific sonorities served as a trigger for musical processes and progressions, in my new compositions I try to use different kinds of sounds (such as everyday or industrial noises) as initiators. In this way, the inherent formal sonorities, as well as, or even more importantly, their amorphous potential, should be taken up and used to build the “architectonic” structure of the piece.
 

This score is published by Edition Juliane Klein publishing house. You can read the full score online through our Subscription service.
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Edition Juliane Klein Collection at BabelScores