Recherche avancée

Rechercher
Catégorie
Éditeur partenaire
Réinitialiser
Afin de lire les conducteurs à l’intégralité,
abonnez-vous à la bibliothèque en ligne
preview1_7241.200401.190420
Aucune image n'a été trouvée

...aspettando...

for staged amplified saxophonist, amplified alto saxophone, and a tenor sax mouthpiece

8,24 €
Version papier (+14,80 € impression et livraison ). Colissimo7-14 days aprox.
Version numérique (+0,00 €) à télécharger
Chez BabelScores, quand vous achetez une partition, vous pouvez ensuite contacter directement le compositeur ici même !
Caractéristiques
Region
North America (Canada - USA)
Estimated Duration
11 - 15min
Date
2014

ISMN : 979-0-2325-4306-2

Vidéos
Notes sur cette pièce

…aspettando… is a piece for solo alto saxophone that was completed in March 2014 and was commissioned by the Italian saxophonist Michele Bianchini. It lasts a little more than ten minutes, and was based on Samuel Beckett’s play Waiting for Godot (1948).

What influences me the most in Beckett’s work is the extremely well structured eccentric and erratic, though substantial, idiosyncratic atmosphere that lies on all of his works. What amazes me on the specific work, Waiting for Godot, is the monotonous, though tense, scenery that is given by the endless dialogues between Vladimir and Estragon, the two protagonists. I idolize how Beckett maintains this kind of energy throughout the work, though nothing really happens. That is what I tried to achieve with and in my solo saxophone piece; contradiction: localized complexity vs macro-scale simplification and unification.

The solo piece was composed using a wide canvas of small and large gestures that were put in order in a particular way so that sometimes the connection between them does not make any sense. The process I used to achieve this phenomenon was that of breaking gestures in pieces and interfering smaller samples of gestures into other gestures. Consequently, although the local and micro-level may seem awkward and not well connected, the entirety of the structure has a logical momentum. This concept interprets the structural flow of Waiting for Godot, where, even if the essence and the meaning of each local discussion between the two protagonists may be minimal and totally irrelevant to the whole work, there is a macro-scale point that underlies and puts together the entirety of the work’s process (i.e. the fact of waiting for someone who never comes).

Instrumentation
Alto Saxophone
Recording
Michele Bianchini
Score Details
Format - A3 / Tabloid
Pages - 16


Customers Who Viewed This Piece Also Viewed:
noimage