Ariadna Alsina Tarrés
Play all audio recordingsAriadna Alsina is born near Figueres (Catalonia). She studied Violin (Sup. Conservatory of Liceo, Barcelona) and Sonology at the High School of Music of Catalonia –ESMUC, where she oriented her musical activity towards composition studying with L. Naon, G. Brncic, F. Pastor... Afterwards, she studied in Paris with J. M. López López, H. Vaggione, Ch. Groult, H. Parra and M. Matalón. In 2015-2016 she realized the Cursus at Ircam and she also started the Master of Composition of Mixed Music at HEM Genève, where she received the courses of V. Cordero, P. Dusapin, L. Naón, E. Daubresse and M. Jarrell. She received Masterclasses by K. Saariaho, F. Bedrossian, M. Stroppa, P. Manoury, F. Filidei, L. Francesconi…
She is influenced by the spectro-morphology theory and she in interested in the malleability of sound material. Her music has been played in Europe, Chicago and Chilli. She develops her activity with instrumental, mixed and electroacoustic music as well as interdisciplinary projects. She received commissions for instance from Ircam in France and from Festival Lavaux Classic in Switzerland.
Chamber Group ( 2 - 4 instruments )
Elles aussi sont transitoires pour clarinette en sib, voix (soprano) et piano (2021)
Cinq frissons méta-mécaniques pour accordéon et deux percussions. À Trio KDM (2019)
Instrumental Music
Elles aussi sont transitoires pour clarinette en sib, voix (soprano) et piano (2021)
Mues Pour ensemble de 13 instruments (2019)
Cinq frissons méta-mécaniques pour accordéon et deux percussions. À Trio KDM (2019)
Silence, dans mes mains, à naître for Flute (also G Flute), Harp, Soprano Voice, Viola and Cello (2018)
Soloist (Instrument or Voice) and Fixed Electronic Media
Les rêves circulaires For Alto Saxophone and Electronics Recording of the premiere. Saxophone: Nahikari Oloriz Maya (2018)
Ensemble (Instruments or Voices) and Real Time Electronics
Ne pleurez pas insectes,... Pour soprano, violoncelle et électronique (2017)
Soloist (Instrument or Voice) and Real Time Electronics
L'air cassé de la carapace Accordion and electronics (2016)
Distillations pour violon et électronique. À Takao Yyakutome. (fingerings by Takao Hyakutome) (2013)
Ensemble (Instruments or Voices) and Fixed Electronic Media
Les rumeurs Pedagogical piece for Quatuor of Saxophones and electronics (2014)
D'après la plasticité du vide For Symphony orchestra and electronics (2017)
Distillations pour violon et électronique. À Takao Yyakutome. (fingerings by Takao Hyakutome) (2013)
Elles aussi sont transitoires pour clarinette en sib, voix (soprano) et piano (2021)
L'air cassé de la carapace Accordion and electronics (2016)
Le dilemme du hérisson pour ensemble vocal de 16 voix mixtes (2020)
Les rêves circulaires For Alto Saxophone and Electronics Recording of the premiere. Saxophone: Nahikari Oloriz Maya (2018)
Les rumeurs Pedagogical piece for Quatuor of Saxophones and electronics (2014)
Mues Pour ensemble de 13 instruments (2019)
Ne pleurez pas insectes,... Pour soprano, violoncelle et électronique (2017)
Silence, dans mes mains, à naître for Flute (also G Flute), Harp, Soprano Voice, Viola and Cello (2018)