Aida Shirazi

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Born and raised in Tehran, Iran, Aida Shirazi is a composer of acoustic and electroacoustic music. Shirazi’s music is described as ”unfolding with deliberation” by The New York Times, “well-made” and “affecting” by The New Yorker, and “unusually creative” by San Francisco Classical Voice.

In her works for solo instruments, voice, ensemble, orchestra, and electronics, Shirazi mainly focuses on timbre for organizing structures inspired by language and literature.

Shirazi’s music has been featured at festivals and concert series, including Manifeste, Wien Modern, Huddersfield Contemporary Music Festival, Mostly Mozart, ACHT BRÜCKEN, Heidelberger Frühling, Beethovenfest, OutHear New Music Week, MATA, Marlboro Music Festival, Direct Current, Taproot, Istanbul Music Festival, and Tehran Contemporary Music Festival in venues such as Maison de la Radio France, WDR Funkhaus, Radialsystem Berlin, WDR Funkhaus, Lincoln Center, Kennedy Center, and Carnegie Hall. Her works are performed by Orchestre Philharmonique de Radio France, Miranda Cuckson, International Contemporary Ensemble, Ensemble Dal Niente, Oerknal, Quince Ensemble, Sarah Cahill, Left Coast Chamber Ensemble, Empyrean Ensemble, and Bilkent Symphony Orchestra, among others.

Shirazi holds a Ph.D. in composition and music theory from the University of California, Davis. She has studied with Mika Pelo, Pablo Ortiz, Kurt Rohde, Yiğit Aydın, Tolga Yayalar, Onur Türkmen, and Hooshyar Khayam and participated in workshops and masterclasses by Kaija Saariaho, Mark Andre, Claus-Steffen Mahnkopf, Riccardo Piacentini, and Füsun Köksal.

Shirazi is a 2022 graduate of IRCAM’s “Cursus Program in Composition and Computer Music.” She holds a B.M. in music composition and theory from Bilkent University (Ankara, Turkey) and a B.A. in classical piano from Tehran University of Art (Iran.) She has studied santoor (traditional Iranian hammered dulcimer) with Parissa Khosravi Samani.

Shirazi is a co-founder and co-artistic director of the Iranian Female Composers Association (IFCA.)

Website:
Ordered by year. Most recent works appears first

Solo Voice and Accompaniment


My Words Are Swallows for voice, kemençe, and string quartet (2023)
Soliloquy of the Unnamed for treble voice and violin (2021)
Ruba'i for treble voice and guitar (2020)
A Girl for treble voice and piano (2017)

Orchestral Music


T O R N for orchestra and electronics (2023)
Umbra Arrangement of string quartet for string orchestra (2020)
The Distorted Reminiscences of a Guardian for orchestra (2015)

Chamber Group ( 2 - 4 instruments )


Sanguine for Oboe, Percussion, and Harp (2021)
Ephemera for clarinet and percussion (2019)
(Re)Visiting the Land of (Un)Known for clarinet in B flat, violin, and piano (2017)
Umbra for string quartet (2017)
Vestiges for flute and string trio (2017)

String Orchestra


Umbra Arrangement of string quartet for string orchestra (2020)

Chamber Ensemble (5 - 9 instruments)


Blood Moon for clarinet and string quartet (2020)
Crystalline Trees for chamber ensemble (2020)
The Shadow of a Leaf in Water for chamber ensemble (2018)

Solo Instrument


Whispering in the Wind for alto flute (2020)
Latent for solo cello (2018)
Longing for a distant memory... for solo violin (2018)
Albumblatt for solo piano (2017)
One Day, The Bird Will Be Free for solo violin (2016)
Tide for piano solo (2014)

Voices and Instruments


What The Wind Will Do When You Aren't Looking for a Thousand Years for soprano, tenor, and prepared piano (2019)

Vocal Ensemble


Portrait for treble vocal quartet (2019)

String Quartet


Umbra for string quartet (2017)
(Re)Visiting the Land of (Un)Known for clarinet in B flat, violin, and piano (2017)
A Girl for treble voice and piano (2017)
Albumblatt for solo piano (2017)
Blood Moon for clarinet and string quartet (2020)
Crystalline Trees for chamber ensemble (2020)
Ephemera for clarinet and percussion (2019)
Latent for solo cello (2018)
Longing for a distant memory... for solo violin (2018)
My Words Are Swallows for voice, kemençe, and string quartet (2023)
One Day, The Bird Will Be Free for solo violin (2016)
Portrait for treble vocal quartet (2019)
Ruba'i for treble voice and guitar (2020)
Sanguine for Oboe, Percussion, and Harp (2021)
Soliloquy of the Unnamed for treble voice and violin (2021)
T O R N for orchestra and electronics (2023)
The Distorted Reminiscences of a Guardian for orchestra (2015)
The Shadow of a Leaf in Water for chamber ensemble (2018)
Tide for piano solo (2014)
Umbra for string quartet (2017)
Umbra Arrangement of string quartet for string orchestra (2020)
Vestiges for flute and string trio (2017)
What The Wind Will Do When You Aren't Looking for a Thousand Years for soprano, tenor, and prepared piano (2019)
Whispering in the Wind for alto flute (2020)