In-Octavo

In-Octavo as the folding of the same object in eight parts, creating interference between two faces of a single element. The proposal here is that of a kaleidoscope of instrumental timbres through which operates a duplication of two musical elements, as if the ink had spread mirrored on other surfaces.
In-Octavo as a reference to the world of printing and thus the mechanization of diffusion of language. A space of struggle where the incessant rhythm becomes essential and takes the place of poetry; the idea of an inevitable propagation to all the elements then present.