Violeta Cruz

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Violeta Cruz was born in 1986 in Bogota (Colombia). Including both acoustic and electroacoustic pieces, her music questions the relationship between different qualities of listening –musical, functional, emotional- and their relation to musical writing. Interested as well in the connections with visual and plastic arts, a part of her work explores different combinations between the concert situation and the audiovisual installation.

Violeta Cruz studied music composition with Harold Vasquez and Guillermo Gaviria at the Javeriana University (Bogotá) where she obtained a bachelor’s degree in 2009. In 2007 she received the Young Composers - National Competition Prize of Colombia. In 2009 Violeta Cruz decided to settle in France to keep on with her studies with Jean-Luc Hervé. In 2010 she entered to the Paris Conservatoire where she is currently studying with Stefano Gervasoni. She is artist in residence of the II World Acoustic Ecology Congress in Switzerland in 2012. Her studies are funded by Nadia et Lili Boulanger International Foundation and France Foundation. Supported by Diaphonique, Franco-British fund for contemporary music, her orchestral work Cyanea is premiered in 2013 in London and Paris by Southbank Sinfonia. Her music has been also performed by ensembles such as Court-Circuit (FR), Ensemble SurPlus (GER), Prime Ensemble (SWZ), Trio Atyopsis (PER), Duo Sincronía (ESP) and Orquesta Sinfónica de Caldas (COL).
Ordered by year. Most recent works appears first

Concerto


Fragments d'un cercle plié Concerto pour Percussion et Orchestre à cordes (2023)

Solo Instrument


Pixel smile pour Percussion solo (2023)
Trapp-attrape pour Percussion solo (2023)

Concert Band


Le ciel plein de portes et de fenêtres pour orchestre d'harmonie (2022)

String Orchestra


La mer, le vent, les jouets, les horloges pour orchestre à cordes (2021)

Chamber Group ( 2 - 4 instruments )


De sal, de arena pour Alto et Piano préparé (2021)
Tan ahora allí, aquí así tanto for alto saxophone and piano (2011)

Choral Ensemble


From V. to V. by V. pour chœur de chambre et accordéon (2020)

Symphony Orchestra


Stabat Mater Furiosa for orchestra and actress (2019)
Cyanea For Orchestra (2013)
Automatico for Youth Orchestra (2013)

Instruments and Electronics


Rien n'était encore réel 5 pièces courtes pour Mezzo-soprano, trio à cordes et percussion (2018)

Opera


La princesse légère opéra en deux actes (2017)

Ensemble (10 - 19 instruments)


Little blue and little yellow (2012)
Automatico for Youth Orchestra (2013)
Cyanea For Orchestra (2013)
De sal, de arena pour Alto et Piano préparé (2021)
Fragments d'un cercle plié Concerto pour Percussion et Orchestre à cordes (2023)
From V. to V. by V. pour chœur de chambre et accordéon (2020)
La mer, le vent, les jouets, les horloges pour orchestre à cordes (2021)
La princesse légère opéra en deux actes (2017)
Le ciel plein de portes et de fenêtres pour orchestre d'harmonie (2022)
Little blue and little yellow (2012)
Pixel smile pour Percussion solo (2023)
Rien n'était encore réel 5 pièces courtes pour Mezzo-soprano, trio à cordes et percussion (2018)
Stabat Mater Furiosa for orchestra and actress (2019)
Tan ahora allí, aquí así tanto for alto saxophone and piano (2011)
Trapp-attrape pour Percussion solo (2023)