Theocharis Papatrechas

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Originally from Greece, Theocharis Papatrechas is a composer, music technologist, and sound artist based in San Diego, CA.  

Reviewed as presenting "an intimate narrative" and "a sound palette of noises... with beautiful instrumental intensity" (il giornale della musica, Stefano Bozolo), Theocharis's music arises from a search for reasons and sound images that resonate internally. His creative practice masters and utilizes technology to expand sonic possibilities and engage audiences into immersive acoustic experiences.

His artistic portfolio consists of instrumental, electroacoustic, acousmatic, sound art, and sound installation works that involve acoustic components, pre-recorded media, and generative and interactive processes, employing Dante networking systems and ambisonics in multichannel venues. Renowned groups that have commissioned and premiered his works include the ensemble IntercontemporainNouvel Ensemble ModerneMivos Quartet, Vertixe Sonora, Ensemble Schallfeld, East Coast Contemporary Ensemble (ECCE), Divertimento Ensemble, Ensemble Multilatérale. Notable venues, at which works of his have been presented, include IRCAMCCRMA at StanfordSEAMUS at Berklee College, Anchorage Museum, SPLICE InstituteNew York City Electroacoustic Music Festival (NYCEMF), Vienna Konzerthaus, SpazioMusica, University of Montreal, and Shanghai Conservatory of Music.

In an endeavor to merge sciences and arts, Theocharis has held several appointments at the California Institute for Telecommunications and Information Technology (Postdoctoral Scholar, 2022-23), Scripps Institution of Oceanography (Research Associate, 2021-22), and Center for New Music & Audio Technologies (CNMAT) at UC Berkeley (Visiting Composers and Researcher, 2021). His work expands research on acoustics, audio engineering, sound synthesis, and spatial audio, and advances unconventional, multi-modal data rendering techniques with particular focus on sonification of extreme environmental events.

Theocharis holds a Ph.D. in Music Composition from University of California San Diego (UCSD) where he worked with Rand Steiger, Lei Liang, and Miller Puckette. Other leading institutions he studied at include the Eastman School of Music, IRCAM, and Sibelius Academy.

His music has been released by ArsPublica. His scores are published by Babel Scores.

Since 2015, Theocharis serves as the Artistic Director of the ilSUONO Contemporary Music Week. The program's core mission is to diversify the practice by bringing together emerging music creators of diverse socio-economic backgrounds, ethnicities, cultures, gender orientations, and aesthetics to learn, share, and collaborate. ilSUONO is delighted to have invited exceptional senior composers, among others, Chaya Czernowin, Rand Steiger, Franck Bedrossian, Edmund Campion, Pierluigi Billone, Clara Iannotta, and performers such as the ensembles Schallfeld and Lemniscate. For the last three editions (21', 22', and 23'), ilSUONO is proud to have received grants from the esteemed Ernst Von Siemens Music Foundation.

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Ordered by year. Most recent works appears first

Ensemble (Instruments or Voices) and Fixed Electronic Media


Imma for ensemble and electronics (2022)

Soloist (Instrument or Voice) and Fixed Electronic Media


Minute | from within for amplified percussion and electronics (2020)

Instruments and Electronics


Imma for ensemble and electronics (2022)
Minute | from within for amplified percussion and electronics (2020)
Grit for piano, fixed media, live electronics, and sound diffusion (2019)
Pictorial Fields: Traces in 1A for bass clarinet, violin, cello, and live electronics (2016)

Chamber Group ( 2 - 4 instruments )


Now our world does descend for bass flute, trumpet in Bb, viola (2018)
Doomed to its paralysed eternity for alto flute, saxophones, percussion, piano (2016)
Indiscriminately for soprano, alto saxophone, piano (2014)
Tetractys for four violas (2013)
Le Radeau de la Méduse for String Quartet (2012)
Metrikon for 3 percussionists (2009)

Chamber Ensemble (5 - 9 instruments)


Nycto- for five double-basses (2017)
[d]ifférance III: aporetics for alto flute, saxophones, percussion, piano, cello, and bass (2015)
Trastorno for flute, clarinet, percussion, violin, cello (2013)

Ensemble (Instruments or Voices) and Real Time Electronics


Pictorial Fields: Traces in 1A for bass clarinet, violin, cello, and live electronics (2016)

Solo Instrument


...aspettando... for staged amplified saxophonist, amplified alto saxophone, and a tenor sax mouthpiece (2014)

Ensemble (10 - 19 instruments)


L'esprit de l'escalier for Large Ensemble (2014)

String Quartet


Le Radeau de la Méduse for String Quartet (2012)

Orchestral Music


Golgotha for orchestra (2011)
...aspettando... for staged amplified saxophonist, amplified alto saxophone, and a tenor sax mouthpiece (2014)
Doomed to its paralysed eternity for alto flute, saxophones, percussion, piano (2016)
Golgotha for orchestra (2011)
Grit for piano, fixed media, live electronics, and sound diffusion (2019)
Imma for ensemble and electronics (2022)
Indiscriminately for soprano, alto saxophone, piano (2014)
L'esprit de l'escalier for Large Ensemble (2014)
Le Radeau de la Méduse for String Quartet (2012)
Metrikon for 3 percussionists (2009)
Minute | from within for amplified percussion and electronics (2020)
Now our world does descend for bass flute, trumpet in Bb, viola (2018)
Nycto- for five double-basses (2017)
Pictorial Fields: Traces in 1A for bass clarinet, violin, cello, and live electronics (2016)
Tetractys for four violas (2013)
Trastorno for flute, clarinet, percussion, violin, cello (2013)
[d]ifférance III: aporetics for alto flute, saxophones, percussion, piano, cello, and bass (2015)