Playlists

Jeffrey Trevino

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Jeffrey Treviño's orchestral, chamber, and solo acoustic and electroacoustic works have been premiered internationally by acclaimed soloists and ensembles at the Oberlin Conservatory Percussion Institute, the International Computer Music Conference, New York City’s Symphony Space, the Seoul International Computer Music Festival, Mexico’s Visiones Sonoras Festival, SIGGRAPH, the International Conference of the Society for Improvised Music, the Freiburg Hochschule für Musik, June in Buffalo, Portugal’s Vila Real Conservatory, New York City’s Miguel Abreu Gallery, the Carlsbad Music Festival, Berlin’s Hanns Eisler Akademie, the Mayo Clinic, and Mexico's National Center for the Arts in Mexico City. Treviño has shared his creative work at renowned festivals and universities, and is in demand as a guest teacher and presenter; most recently, he offered composition masterclasses, lectures, and workshops as an invited composer in residence at the Ecos Urbanos (Mexico City) and Dias de Música Electroacústica (Seia, Lisbon) festivals of electronic music. He has also given invited presentations at the Oberlin Conservatory of Music, Yale University, Harvard University, the University of California at Santa Barbara, and Lisbon's Escola Superior de Música, and he has been an invited composer in residence at Stuttgart's Akademie Schloss Solitude, the Banff Centre for Arts and Creativity, Arts Letters & Numbers, and Porto's Escola Superior de Música e Artes do Espetáculo. Treviño has taught music courses at Stanford University, the University of California at San Diego, Carleton College, and Colorado College. He currently teaches music at the University of California at Santa Cruz and resides in California's Monterey Bay Area.
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Ordered by year. Most recent works appears first

Ensemble (Instruments or Voices) and Fixed Electronic Media

How to Build Fences and Gates for orchestra with fixed-media electronic sound (2014)

Chamber Group ( 2 - 4 instruments )

The World All Around for Eb Clarinet, Harp, and Piano (2013)
Perfection Factory for two percussionists (2008)
Binary Experiment for James Tenney for four contrabasses (2006)
Forty-Two Statcoulombs for string quartet (2006)
Zoetropes for Bb Bass Clarinet, Percussion, and Cello (2005)

Soloist (Instrument or Voice) and Fixed Electronic Media

Being Pollen for one percussionist (2011)
Wolkenwagen for piano and two loudspeakers (2009)
Eight Legs Each for amplified tuba and two pre-recorded amplified tubas (2004)

Solo Instrument

To Stop the Theft of Your Identity, Call for solo violin (2008)
Unit for Convenience and Better Living 003 for Bb Bass Clarinet (2006)
Substitute Judgment for one percussionist (2005)
Mobile for tenor saxophone (2005)
Coming and Going for one flute (2004)

Ensemble (Instruments or Voices) and Real Time Electronics

Mexican Apple Soda Consumer Affect Simulation I (2006)

String Quartet

Forty-Two Statcoulombs for string quartet (2006)
Being Pollen for one percussionist (2011)
Binary Experiment for James Tenney for four contrabasses (2006)
Coming and Going for one flute (2004)
Eight Legs Each for amplified tuba and two pre-recorded amplified tubas (2004)
Forty-Two Statcoulombs for string quartet (2006)
How to Build Fences and Gates for orchestra with fixed-media electronic sound (2014)
Mexican Apple Soda Consumer Affect Simulation I (2006)
Mobile for tenor saxophone (2005)
Perfection Factory for two percussionists (2008)
Substitute Judgment for one percussionist (2005)
The World All Around for Eb Clarinet, Harp, and Piano (2013)
To Stop the Theft of Your Identity, Call for solo violin (2008)
Unit for Convenience and Better Living 003 for Bb Bass Clarinet (2006)
Wolkenwagen for piano and two loudspeakers (2009)
Zoetropes for Bb Bass Clarinet, Percussion, and Cello (2005)