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in heaven z
in heaven everything is fine A4 z 9
in heaven everything is fine A4 z 10
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In Heaven Everything is Fine

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Estimated Duration
6 - 10min

ISMN : 979-0-2325-0336-3

In Stock
Notes on this piece
In Heaven Everything is Fine rejects the idea of directionality of musical events, erasing any trace of narrative intention in its course of sound action. When any arrow of musical time is suggested, it is abruptly aborted, thus creating some sort of static (sound) space-time. Musical objects – in their apparent aimless existence - refuse the exhaustion of its own material, establishing non-linear deformation processes instead, or appearing and disappearing like premonitions.These kind of “absurd” musical situations are somehow inspired on the surrealistic world created in David Lynch’s film “Eraserhead”, from which the title of the piece is Heaven everything is fine refuse l’idée de directionnalité des événements musicaux, en effaçant toute trace d’intention narrative au cours de l’action sonore. Lorsqu’on suggère un vecteur du temps musical, celui-ci est brusquement avorté pour créer une sorte d’espace-temps (sonore) statique.Les objets musicaux, dans leur existence errante -en apparence, repoussent l’extinction de leur propre matériel, en établissant des processus  non linéaires de déformation ou en apparaissant et disparaissant comme des prémonitions.Ce type de situations musicales « absurdes » est, d’une certaine façon, inspiré du monde surréaliste créé par David Lynch dans le film « Eraserhead », qui a donné son nom à cette pièce.
Piece written in the frame of the Voix Nouvelles Program of the Royaumont Foundation and is published in BabelScores through a partnership between BabelScores and Voix Nouvelles.

Alto Saxophone|Baritone Saxophone|Baritone Saxophone|Bass Saxophone
ensemble XASAX - concert à l'abbay de Royaumont
Score Details
Format - A4 / US Letter
Pages - 30

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