Marcelo Rodriguez

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  “…I'm looking for urban music with a focus on Latin America, I work with the use of interruption or with the contrast between different musicals materials, but not from a folkloric origin. I also use the manipulation of the sound in different ways: either imagining it or testing the sound on a musical instrument. Urban sounds and noises are my source of inspiration, (such as the sound saturation of vehicles, or the use of rhythms derived from these sounds), the sharp contrasts between sound and silence; and on the other hand, an understanding of time from being in the solitude of the plains or the highlands...”

Argentine composer. Born in Buenos Aires, Argentina, 1975. 
Music composition professor at La Plata National University, Argentina, and Improvisation professor at Berisso Art School.
He was a member of the research team of “Contributions to the Music of the 20th Century” at La Plata National University. His articles have been featured in specialized magazines. Moreover, his works “Tres canciones” and “Septeto” have been recently published.
His music has been played at different venues (Europe and Latin America). As a composer, he has received prizes and commissions, among the most recent ones is the prestigious City of Buenos Aires Prize (2008-2009) and he was recognized by the University of Buenos Aires in 2016.

Ordered by year. Most recent works appears first

Solo Instrument


Aquam pedibus meis for Double bass (2006)
Estar y Ser in homage to our Lady of Guadalupe for viola d'amore (2003)
Aquam pedibus meis for Double bass (2006)
Estar y Ser in homage to our Lady of Guadalupe for viola d'amore (2003)