Memini

The piece is based on the memory as movement, meaning, motivation, remembrance and on the research of the primitive components of the instrument. Memini is built on two dynamic structures that I called “time-sentence” and “space-matter”: from these the phases “constitution-state”, “discovery-development” and “decline-loss” are developed.
In Memini, however, the phrase is destined to bend on itself because the final investigation is the native principle which is manifested as effect and, when it learns about itself, as cause, as memory.