Jorge Sad Levi

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Studied composition with Francisco Kröpfl in Buenos Aires and with Marcelle Deschênes at Université de Montreal.

 

His works have been played by James Baker (U.S.), Baiba Oshina (Latvia), Josetxo Silguero (Spain), Edelton Gloeden, Brasil, David Nuñez, (Venezuela), Alejo Pérez Pouilleux , Eduardo Moguillansky, Eduardo Egüez, Cuarteto Untref, Guille Lavado, Juliana Moreno, Javier Bravo, (Argentina) , Shao-Wei Chou, (Taiwan), Alessandra Rombolá.

 

He has been awarded the  First Prize at Buenos Aires City Composition Contest, the 2nd Prize at the Xicoatl International Composition Contest (Salzbourg, 2009).

 

Many of his works were created in composition residencies at  CCRMA (Stanford University), Phonos and LIEM (Spain), Musiques & Recherches (Brussels) LIPM (Buenos Aires) and GRM (France).

 

His music has been programmed in Festivals and concerts around the world , including  L´espace du son (Bruxelles) , Korea World Music Days, Seoul Computer Music Festival, (Korea), Aspekte (Austria), Festival de Bourges (France), Festival de Música Contemporánea de Caracas (Venezuela), Festival Musica Nova (Brazil), Centro de Experimentación del Teatro Colón,  Festival Internacional de Teatro de Buenos Aires , ICMC Utrecht.

Currently he teaches  composition at Conservatorio Alberto Ginastera and musical semiotics at Universidad de Tres de Febrero.  

Website:
Ordered by year. Most recent works appears first

Ensemble (Instruments or Voices) and Fixed Electronic Media


Esquisse/o/phrenia for flute, piano and octophonic audiofile (2019)

Chamber Group ( 2 - 4 instruments )


Mi paso ha retrocedido for wind quartet (2016)
La retirada for flute, trumpet and viola (2010)

Voices and Instruments


Hard Reset for female voice , Pierrot Ensamble and fixed tape (third movement only) (2015)

Soloist (Instrument or Voice) and Real Time Electronics


La guitarra de Macedonio (2014)
Maror (2012)
La vuelta hacia arriba del aire de la mañana (2004)

Ensemble (10 - 19 instruments)


Dissolution of the salt stone (2011)

Solo Instrument


Les non dupes errent (2008)

Soloist (Instrument or Voice) and Fixed Electronic Media


L´ aube jete son or for piano and electronic sounds (2006)

Chamber Ensemble (5 - 9 instruments)


Diaspora (2002)

Instrument and Electronics


Esquisse/o/phrenia for flute, piano and octophonic audiofile (2019)
La guitarra de Macedonio (2014)
Maror (2012)
L´ aube jete son or for piano and electronic sounds (2006)
La vuelta hacia arriba del aire de la mañana (2004)
Transparencias (2001)

Instrumental Music


Mi paso ha retrocedido for wind quartet (2016)
Dissolution of the salt stone (2011)
La retirada for flute, trumpet and viola (2010)
Les non dupes errent (2008)
"El alma mula" for cello and live electronics (1999)
"El alma mula" for cello and live electronics (1999)
Diaspora (2002)
Dissolution of the salt stone (2011)
Esquisse/o/phrenia for flute, piano and octophonic audiofile (2019)
Hard Reset for female voice , Pierrot Ensamble and fixed tape (third movement only) (2015)
La guitarra de Macedonio (2014)
La retirada for flute, trumpet and viola (2010)
La vuelta hacia arriba del aire de la mañana (2004)
Les non dupes errent (2008)
L´ aube jete son or for piano and electronic sounds (2006)
Maror (2012)
Mi paso ha retrocedido for wind quartet (2016)
Transparencias (2001)